‘Séance is Rosenberg and Neath’s best collaboration to date, a creepy and manipulative miniature which unsettles and makes you question not just your senses but what you actually believe’- Lyn Gardner, The Guardian ★★★★ (Latitude) - Full review here
’It was brilliant, mischievous audio trickery’ - Harriet Fitch Little, Financial Times (Latitude) - Full review here
‘Seance felt perfectly contained and completely absorbing, spine-tingling’ - Lauren Mooney, The Stage ★★★★ (Latitude) - Full review here
‘If you've got the spine, Seance brings the tingle’ - Cameron Woodhead, Sydney Morning Herald (Melbourne) - Full review here
‘Fortunately, it has a slew of performances every day, otherwise people would be climbing over each other trying to bag tickets’ - Rory Ford, The Scotsman ★★★★ (Edinburgh) - Full review here
‘The experience created is so intense, immediate and startling that it's really quite overwhelming’ - Tamarin Fountain, Fringe Guru ★★★★ (Edinburgh) - Full review here
‘Imagine all the terror and trepidation surrounding horror films, following sympathetic characters we know are due an undeservingly gruesome fate. Now double, triple, quadruple it, and you’ll be somewhere close to the effect of Séance’ - Katy Minko, The Student Newspaper ★★★★★ (Edinburgh) - Full review here
‘Stupendously sinister, suspenseful immersive theatre’ - Claire Wood, The Wee Review ★★★★ (Edinburgh) - Full review here
‘#SeanceSummerhall is a gripping sonic encounter, accomplishing in 15 mins what many productions struggle to do in 1hr. Utter immersion’ - Fringe Biscuit ★★★★ (Edinburgh)
‘It is hair-raising, chilling, freaky, and quite different from anything else you’ll see’ - Robbie Armstrong, The Skinny ★★★★ (Edinburgh) - Full review here
‘This all feels like it’s been done before’ - Chris McCormack, Exeunt Magazine (Edinburgh) - Full review here
‘A spine-tinglingly sensory Halloween treat’ - Heather Kincaid, Whats On Live ★★★★ (Birmingham) - Full review here
‘Neath and Rosenberg carve a space where we are left to reflect on our own tendency towards superstition. By depriving us of our bearing and control, one’s ability to rationalise rapidly deteriorates; within minutes, you’re in an almost pagan state of anxiety. Séance demonstrates a virtuosic ability to disorientate and freak out’ - Sean Gilbert, Theatre Full Stop (Latitude) - Full review here
‘I love to be spooked, and this is spooky done right’- Will Amott, Stage Talk ★★★★ (Birmingham) - Full review here
‘A fully immersive audio experience that takes place in complete darkness, Séance was wonderfully inventive, clever and above all deliciously eerie fun’ - Hannah Marsh, A Younger Theatre (Latitude) - Full review here
‘Glen Neath and David Rosenberg are pioneers of binaural sound art, and it works a spooky treat here’ - Holly Williams, WhatsOnStage - (Latitude) - Full review here
‘Séance is an unnerving experience. It’s spine-tingling, shiver-inducing, hair-stand-on-end stuff’ - Hannah Brierley, Redbrick (Birmingham) - Full review here
‘Fancy being locked up in a shipping container for 15 minutes and having your very sanity and sense of perception undermined?’ - Giles Logan, Birmingham Wire (Birmingham) - Full review here
‘This has to be the most immersive and genuinely terrifying productions we have ever visited’ - Scare Tour UK (Birmingham) - Full review here
‘I love the paranormal as a theme, but it’s extremely hard to get it right … Séance, however, did not have that problem’ - Scarefix and Thrill (Birmingham) - Full review here
‘Anticipation of being surprised creates the atmosphere and suspense and cleverly staged audiovisual used to create a sense of a larger scene in the small set provides the rest’ - Nicole Evans, Reviews Hub (Latitude) - Full review here
‘Still, I’m not sure the storyli- SOMEONE HAS STARTED TALKING LIKE A BEAST FROM THE DEPTHS OF HELL AND IT’S SO DARK IN HERE AND I KNOW IT’S AN ACTOR BUT THIS IS HORRIBLE I’M SCARED I’M SCARED AND I WANT IT TO STOP NOW PLEEEEEEEEEASE ah phew hmmm cough wow’ - Maddy Costa, Exeunt (Preston) - Full review here
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